"From disability advocate with a PhD in disability studies and creative nonfiction, and creator of the Instagram account @ sitting pretty, an essay collection based on a lifetime of experiences in a paralyzed body, tackling themes of identity, accessibility, bodies, and representation"-- - (Baker & Taylor)
The disability advocate and creator of the Instagram account @sitting_pretty offers an honest look at disability and its effects on identity, love, money and self-worth by processing a lifetime of memories to paint a beautiful portrait of a body that looks and moves differently. 30,000 first printing. - (Baker & Taylor)
A memoir-in-essays from disability advocate and creator of the Instagram account @sitting_pretty Rebekah Taussig, processing a lifetime of memories to paint a beautiful, nuanced portrait of a body that looks and moves differently than most.
Growing up as a paralyzed girl during the 90s and early 2000s, Rebekah Taussig only saw disability depicted as something monstrous (The Hunchback of Notre Dame), inspirational (Helen Keller), or angelic (Forrest Gump). None of this felt right; and as she got older, she longed for more stories that allowed disability to be complex and ordinary, uncomfortable and fine, painful and fulfilling.
Writing about the rhythms and textures of what it means to live in a body that doesn't fit, Rebekah reflects on everything from the complications of kindness and charity, living both independently and dependently, experiencing intimacy, and how the pervasiveness of ableism in our everyday media directly translates to everyday life.
Disability affects all of us, directly or indirectly, at one point or another. By exploring this truth in poignant and lyrical essays, Taussig illustrates the need for more stories and more voices to understand the diversity of humanity. Sitting Pretty challenges us as a society to be patient and vigilant, practical and imaginative, kind and relentless, as we set to work to write an entirely different story.
- (
HARPERCOLL)
A memoir-in-essays from disability advocate and creator of the Instagram account @sitting_pretty Rebekah Taussig, processing a lifetime of memories to paint a beautiful, nuanced portrait of a body that looks and moves differently than most.
Growing up as a paralyzed girl during the 90s and early 2000s, Rebekah Taussig only saw disability depicted as something monstrous (The Hunchback of Notre Dame), inspirational (Helen Keller), or angelic (Forrest Gump). None of this felt right; and as she got older, she longed for more stories that allowed disability to be complex and ordinary, uncomfortable and fine, painful and fulfilling.
Writing about the rhythms and textures of what it means to live in a body that doesn’t fit, Rebekah reflects on everything from the complications of kindness and charity, living both independently and dependently, experiencing intimacy, and how the pervasiveness of ableism in our everyday media directly translates to everyday life.
Disability affects all of us, directly or indirectly, at one point or another. By exploring this truth in poignant and lyrical essays, Taussig illustrates the need for more stories and more voices to understand the diversity of humanity. Sitting Pretty challenges us as a society to be patient and vigilant, practical and imaginative, kind and relentless, as we set to work to write an entirely different story.
- (
HARPERCOLL)
Kirkus Reviews
A disability advocate debuts with a collection offering potent rejoinders to ableism. Tracing memories from childhood to the present, Taussig, who has a doctorate in disability studies, explores her life story and relationship with her body as well as attendant concerns of confidence, belief, and hope. Even though she grew up "after the passage of the 1990 Americans With Disabilities Act," the author, who was paralyzed at age 3 following a lengthy, deleterious cancer-treatment regimen, faced many difficult situations related to her disability, from confronting lowered expectations at a youth camp to navigating awkward moments with friends and acquaintances. She investigates what accessibility really means and how it relates to housing, employment, and health care—"The older I got," she writes, "the more I cringed at the bills my body created"—and she looks at dating challenges and the difference between finding marriage and finding love, exposing many of the mechanics behind traditional social scripts. Constantly questioning the damaging illogic of nonaccessible public spaces, Taussig confronts the insidious nature of "stigma, isolation, erasure, misunderstanding, skepticism, and ubiquitous inaccessibility." Introducing many key themes of disability studies throughout the narrative, the author pushes for nuanced awareness and understanding of fluid rather than fixed needs, essential for a more effective intersectional approach to social solutions. Taussig goes beyond empty inspirational jargon, forcing readers to consider the value of the real-world improvements that can emerge from centering underrepresented voices. An engaging, up-close view of the need for structural change regarding disabilities in this country, the text is a solid combination of theory and personal experience. "We should bring disabled perspectives to the center," she writes, "because such perspectives create a world that is more imaginative, more flexible, more sustainable, more dynamic and vibrant for everyone who lives in a body." A fierce and fabulous revision to entrenched ableist scripts. Copyright Kirkus 2020 Kirkus/BPI Communications. All rights reserved.